In celebration of their upcoming aptly-named filmmaking resource app dubbed SMAPP, the fine folks at Stillmotion have created another informative and insightful video, keeping in-line with their tradition of providing fantastic real world perspectives on how to better your film productions. Today’s quick tutorial of sorts, shown above, deals with some of the essentials you should have with you at all times and never leave the home or office without, no matter the type of production you find yourself on.
Lighting on Location: Combining Natural Light With Strobes Outdoors
Continuing on with his fantastic series of tutorials and lighting on location insights, Jay P. Morgan of The Slanted Lens now turns his attention to combining strobes and natural light, using the elements of the environment to his advantage in this particular shoot, in which he captures both motion and stills in the video above.
Filmmaker Tom Antos’s Quick Video Lighting Tutorial For Achieving a Cinematic Look
Industry vet and award winning music video, commercial, and short film director and cinematographer, Tom Antos, is back with another video tutorial, with the ever-present goal of boasting your production values, while giving insight on the techniques he has learned throughout his career.
Today, as part of indymogul’s Awesome Director Month, Antos details the lighting set-up used for a mock-up movie trailer, coupled with the pre-production steps practiced, all aimed at creating a cinematic look shown above.
Street Photography Do’s and Don’ts Courtesy of Kai Wong
If you are just starting out in the world of street photography, the methodology behind the art form can be a bit overwhelming at first. With the dynamic of the streets in constant change, it’s pertinent as a street photographer to build a connection with your surroundings, blend in with the diversity of life around you, and respect the elements that contribute to your captured moment in time.
In DigitalRev’s trademark tongue and cheek approach, Kai Wong elaborates on those sentiments and touches on a few valuable street photography do’s and don’ts in a rather humorous way while out in the concrete jungle. Take a look above.
A Simple and Flexible Top-Handle DSLR Rig Option
Caleb Pike of DSLRvideoShooter.com, in his never-ending hunt for useful and affordable alternatives for some of the higher priced DSLR rigs and accessories out on the market, has come up with a unique and incredibly simple top-handle rig that’s both flexible in the literal sense, but also in terms of functionality.
Pike’s complete tutorial for building the rig can be viewed above, with the accessories mentioned in the video shown below:
Reasons For Using a Flash Outdoors in Harsh Sunlight
As part of another Digital Photography One on One episode for AdoramaTV, Mark Wallace of Snap Factory is back with some more valued tips with the intent of improving your photography.
Today, Wallace covers the reasons and benefits of using a flash outdoors in harsh sunlight in less than ideal shooting conditions. He also provides some helpful information for those who are just learning the ins and outs flash. Take a look above.
Via ISO1200
Lighting on Location: How to Combine Strobes and Reflectors Outdoors
Continuing on the foundation of his first lighting on location tutorial, Jay P. Morgan of The Slanted Lens builds upon the use of reflectors as the sole means of light control outdoors. In this tutorial, Morgan incorporates the one strobe method combined with reflectors to produce an improved image with more versatility in any lighting condition. Take a look above.
Via ISO1200
How to Eliminate Eye-Wear Flash Reflections in Portraits
As with all of his Digital Photography One on One video episodes, Mark Wallace of SnapFactory answers some of the most frequently asked photography questions for Adorama TV and provides some real world advice from a working professional.
Today, Wallace tackles the pesky issue of dealing with flash reflections in eye-wear – quite a problematic issue under certain conditions and troublesome to deal with if particular rules are not followed. Take a look at tips to master the “angle of incidence” and “angle of reflection” to help better your portraits sessions with spectacle-wearing individuals above.

























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